Thursday, May 6, 2021
Home Curator’s Eye Quick Insights Vol. 2 - Asama Asuka -

Quick Insights Vol. 2 – Asama Asuka –

Asami Asama tries to understand herself and the world itself through the technique of embroidery. For Asama, who says, “I am like a vessel that stands between my instincts and my work,” embroidery has a ritualistic meaning as she sketches the fundamental sensations she captures, stitches them onto cloth, and repeats the process. In this interview, we talked to him about the background of his work and how he came to his current style.


Asama-san, you have been creating paintings using embroidery. Where did you learn how to embroider?

Actually, I’m completely self-taught. I didn’t learn from anyone, and I don’t follow any professional rules. I’m just trying to find my own way of doing things. I am self-taught, so I have my own rules, but I don’t systematize them as knowledge. That’s why I’m sometimes asked to give workshops, but I can’t teach.

What made you start embroidery ?

Originally, I was an illustrator, but I moved into embroidery because of my child’s illness. I had to take a break to take care of her, but I still wanted to create and express myself. But it was difficult to find the time and space to paint. I wondered if I could somehow create in a way that was more sustainable. That’s how I came up with embroidery. If you only have a needle and thread, you can do it in the kitchen.

Honkadori Bacchus

33 x 33cm, embroidery, fabric, panel

 

What is it that keeps you doing embroidery?

I think it’s because it suits my nature the most. Embroidery is exactly the same act of repetition. You repeat the same hand movements. I think this repetition helps me to get away from my ego, and in a way, it’s almost like meditation. Maybe it’s like a ritual. I feel that the act of embroidery brings me closer to the truth.


Does this method of expression also affect the content of your work?

I think so. My work doesn’t have a social or political message. It’s not conceptual… I think. It’s more abstract, like I’m confirming my own existence. It’s a physical sensation that I only feel myself when I’m sewing. But there is no ego there. It’s a confirmation of existence on a very simple level.

Winter Girl

25.8 x 31.8cm, embroidery on fabric

 

I think the lack of egoism is important.

I’m more of an inspiration type of person, but in that case, it’s important to know how carefully and painstakingly I can let the images that come into my head out of my mind. It is important to be able to create works of art with a high degree of purity. That’s what’s important. The taste of the work may also emphasize innocence.

Honkadori Giuliano

33 x 33cm, embroidery, fabric, panel

 

In other words, Mr. Asama is the one who stands between inspiration and artwork.

That’s why I don’t think I should put my ego, my likes or dislikes, or anything like that in front of me. When my ego enters, it becomes cloudy. You can’t be angry, you can’t be upbeat. You can’t be angry or upset, you can’t be thinking about how you want to be evaluated or how you want to look. I feel that my work becomes muddy.

In Surrealism, there is a method called “automatic writing” that is used to eliminate the ego of the artist. It’s similar to that.

In my case, it’s more like “guiding the inspiration so that it takes shape. I use embroidery as a way to materialize an insubstantial image. Slowly, through repetitive actions, I give it shape. I don’t put my own preferences into it. It’s much better than thinking about it in my head. It’s like “I have an idea,” “I sketch it,” and “I embroider it on canvas.

Ninja

31.8 x 25.8cm, embroidery on fabric

 

Last but not least, what does it mean to you to create?

It’s like standing between inspiration and the work, and helping the flow of the transformation from the mental to the physical. How can I carefully scoop up a fresh idea? That’s the game.

I used to have a complex when people said to me, “You’re a shaman, not an artist,” but now I don’t mind. I think it’s more of an identity. But that’s why I take care of my body and soul. If I’m sick or mentally ill, I can’t do good work. It’s important for me to be a good vessel.

Profile

Born in Iwate Prefecture in 1977, graduated from Suruga University in 2000 with a degree in law. After graduating from the university, he studied illustration at the Setsu Mode Seminar Graduate School and the AIT (Arts Initiative Tokyo) Artist Course, etc. He started his career as an artist in 2014. Major exhibitions include TERADA SOKO ART STAND EXIBIHION (2015), New York Ashok Jain Gallery (2016), spiral take art collection (2017), art formosa Taipei (2018).

 

Shinzo Okuokahttps://www.tricera.net/
Born in 1992 in Tokyo, Japan. After studying Indian philosophy at university, she worked at a publishing company as a deputy editor of an art magazine and a shrine magazine, where she was involved in planning and editing magazines and books. 2019 she joined TRiCERA, a start-up company, where she was in charge of developing Japan's first cross-border e-commerce site specializing in contemporary art, managing artists, and launching the company's own on-demand media. He is also in charge of developing Japan's first cross-border e-commerce site specializing in contemporary art, managing artists, and launching the company's own owned media. He is a fast writer, and when he was working for a magazine, he was able to write 150 pages in a month by himself.

Most Popular

You Might Like

Bringing Light into Form – Interview with Shinji Fujino

 He has had numerous exhibitions in Japan and participated in an artist-in-residence program in Slovenia in 2019. In 2019, he participated in an artist-in-residence...

An Interview with Yuta Okuda on Painting Sincerity and Self-Projection

There is no lie in what I am doing," says yuta okuda. We talked to the painter, who uses miniature painting and India ink,...

ART & TIPS – From framing to storage

I want to buy some art, but I don't know how to frame it. I want to buy art, but I don't know how...

Art for your bedside – 3D artworks to look out for

Of course, it is up to the individual to decide where to place art in their home, but how about placing it by the...

We are pleased to announce our solo exhibition “Re-scope” by Kosuke Kato.

TRiCERA is pleased to present "Re-scope", a solo exhibition by Kosuke Kato from February 20 to 27, 2012. Kato has been creating works...

Don't Miss

If you’re buying contemporary art for the first time, prints are the way to go!-High-quality prints

TRiCERA is pleased to present a limited edition of high quality prints by 13 artists selected from various countries.Sold with technical cooperation from DNP...

Katsuso Ichino: Taking a Step from Tradition to Contemporary Art

"I want to make use of the simple and natural clay that is unique to Tanba-yaki." Katsuiso Ichino Mr. Katsuso Ichino is the seventh...

How can manga be distributed as art? Shueisha’s manga art “SHUEISHA MANGA-ART HERITAGE” has started.

Shueisha has launched "SHUEISHA MANGA-ART HERITAGE", a project to sell limited edition multiples of comics published by the company both in Japan and...

TOKAS-Emerging 2019, an exhibition with prominent public participation.

TOKAS-Emerging 2019 part 2 at TOKAS Hongo     Tokyo Metropolitan Art Space is an art center dedicated to the creation and promotion of contemporary art in...

Feature Post

Social Distortions in Portraits

The Art of Taking Things Personally and Emotionally Let's say you are strolling through the collection at a museum. Are you the type of...

Depicting the beauty of the human form. What is the history and modernity of beauty painting?

A bijinga is a painting that depicts a beautiful woman's appearance and gestures, or a painting that deals with the beauty of women. The...

The Louvre reopens on July 6. What are the current status, initiatives, and challenges?

 The coronavirus epidemic has caused major changes around the world. The art world is no exception and seems to have suffered a major economic...

3 Minute News – Where the next artist is coming from

The Sompo Japan Museum of Art, located in Shinjuku, was established in 1976. It is one of Tokyo's leading art museums, holding five...

Editor's Choice